From the original LookBallet directory. This historical profile has not been reverified. Descriptions, contact details, opening hours and ratings may be out of date; confirm current information with the organisation.
The dance company Trey McIntyre Project located in the city of Boise is a remarkable example of the work that is being done in dance in USA. It is a very good company to audition.
The Trey McIntyre Project's mission is the broad promotion and dissemination of dance art and repertoire through a stable community. Open to all styles, dance languages and general movement arts, it encourages American and international creativity. It supports new audiences and their national and international performances, in full artistic and creative autonomy.
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Trey McIntyre Project Dancers
The cast of Trey McIntyre Project dance company is made up of dancers and for the most part the technique they dominate is .
The structure of the company is .
Trey McIntyre Project Audition
The style of the company Trey McIntyre Project can be classified as and the movement technique that its artistic director mainly looks for in dancers during auditions is .
For more up-to-date information visit the Lookballet dance auditions section.
Contact
The address of the company Trey McIntyre Project is: 2285 E Warm Springs Ave, Boise, ID 83712, United States
Contacting them can be done by phone at +1 877-867-2320, by email or through social networks.
- Facebook: https://www.facebook.com/sharer.php?u=https://treycool.com/&title=Home
- Twitter: https://twitter.com/intent/tweet?url=https://treycool.com/&text=Home
- Instagram:
The opening and closing hours of the company are:
- Monday 9AM-5PM
- Tuesday 9AM–5PM
- Wednesday 9AM-5PM
- Thursday 9AM-5PM
- Friday 9AM-5PM
- Saturday Closed
- Sunday Closed
These schedules on performance days may be modified.
Trey McIntyre Project Program
Both their current repertoire and dates of performances can be consulted on their website treymcintyre.com
Reviews
The average rating of this company on Google is 5 from .
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